As the saga continues, the aggression of industrial beats and broken toilet mirrors is molded into fragmented versions of the men's dress. Quoting the stylised idea of a post German underground techno club. /HORST
As the saga continues, the aggression of industrial beats and broken toilet mirrors is molded into fragmented versions of the men's dress. Quoting the stylised idea of a post German underground techno club. /HORST
Paris is going all leather, And tribal. De mon plaisir! Do I have to feel wrong and guilty if I like that? Will I go to goa techno parties all summer? Probably not. But I will dream of it. Peut-être. /HORST
Life wouldn't be complete without a Japanese classic. Black triangular shapes creating the optical illusion of lightness and floatation. And always remember: the joy of giving is priceless. /HORST
Although the collection's title 'Gakona' refers to a small village in the mountains of Alaska, its sound and final outcome does evoke a notion of Japanese tradition. Paired with German severity and craftsmanship, it results in the emphasis of two elements, two sides, the elusiveness of belt and scarf. /HORST
She is concentrated glycose. Creating fictive worlds of naïvety. Drawings of absurdity. Sculptures and installations conquered by weird hairy dolls. Paintings of sailing poodles, kissing seahorses and fat ladies on bikes. /HORST
Mythology and male anatomy. His works inherit a Japanese momentum, this very notion of directness hidden behind surreal expression. The explicit, masochistic and sexual seemingly tolerated when stylised. And almost like a gay artist's tradition, Sadao Hasegawa committed suicide following the example of Mishima Yukio and leaving behind works of undaunted kitsch. /HORST
Time to revive an old tradition: the Detail Diary. Green tea cake and coffee at the amazing Imori café. Being served by Japanese ladies in dirndl dresses. I'm still on a caffeine overdose. /HORST
The intensity of colour and the immediacy of time evoke parallels to the works of Elizabeth Peyton, Norbert Bisky or Richard Kern. Diffuse images of opulence. Super light interpretations of romanticsim espied through an aestethic filter of Japanese identity. /HORST
Interlaced layers creating structured yet plain shapes, torn between stiffness and smoothness. Pieces reminiscent of military filt blanket origami. Complemented by a beautiful colour palette of muddy greys and greens. /HORST
I'm sorry but I'm having a trash day. And even though I know I am the only one: I love hair colour commercials. There is nothing more beautiful and relaxing. /HORST
Her images are more than intriguing. Provoking a nearly orgasmic visual impact. Seduction and power can be read as highly aesthetic connotations in every creation. Artworks that never leave you unimpressed or untouched. /HORST