Plastic foil, white cans and traces of red lipstick. I just coincidentally discoverd these incredible details, re-using trash as head pieces. Other 'hats' include car rims and bubble wrap. /HORST
Stefano Pilati's severe vision of feminity. Translated via sheerness, volume and masculine references. Subtly, almost inwardly referring to the decade's dichotomy of gender definitions. /HORST
Developing undeniable strength and inevitable impact during the second half of the decade, Prada re-invents fashion's relevance and becomes cultural heritage. An iconic pioneer of its time. /HORST
2000 - 2009 is the era of homo-eroticism. The fetish of leather, bondage and short shorts. The man remaining an object of lust. Dressed and undressed. /HORST
Despite the risk of boring you, there has not been a more suitable collection for the year 2005 than Raf Simons. Worshipped and adored for exaggerated shapes and the variation of proportion. /HORST
Nudity and sexualization. The revealing of male and female attributes. The strip. Under- as outerwear. Suspenders, tights and bras. Yes, the double-zero decade was sensual. /HORST
2003 and one designer should not be missing: Helmut Lang. His strap-cutout-reverse scenarios have conquered my heart and left me with the insatiable lust to compile a wardrobe of iconic Helmut pieces. /HORST
In 2002 it was Ann Demeulemeester's vision that called for a deep-drawn sigh. Blackness that embraces the body like wads of smoke. Moments of exposed flesh and lost virginity. /HORST
After endless hours of archive research and maltreated hands, I do feel a bit dizzy but I also decided about the signature look for 2001: Distorted asymmetry by Yohji Yamamoto. /HORST
I somehow like the idea of decade reviews. I honestly do think the noughties have the potential to stand out against the nineties. Although I am aware that this thesis is facing strongest disagreement. But let me prove to you. Starting with the look of 2000: Boudicca. /HORST
Rei Kawakubo and newspaper iconography. Alien-esque mindreading. Futurism in 2002. Makes me remember that I desperately need some John Galliano newspaper briefs. /HORST
With their publication, Sybille Walter and Samuel Drira created a piece of cultural identification and fashion history. It's the aesthetic core of a visually driven conviction that spreads through the imagery of Matthew Ames, Damir Doma and Bruno Pieters. /HORST
Besides the fact that Brigitte Nielsen is starring as black witch, this fairytale series is pure comfort to me. A melancholic childhood memory. I also think I am in love with Romualdo. A pathetic, unattainable love. /HORST
Re-use, re-cover, re-cycle. Ana Hernández Cornet's contribution to the Danish sustainability project quotes the transformation of fabrics with a circle-shaped shirt and a colour palette that revives the virginity of textiles. /HORST
Fall/Winter 2006 undeniably was the season of the kitten. I've been asked where my animalistic fascination derives from. It's the dichotomy of tackiness and timelessness. /HORST
Veronique Branquinho 1998 - 2001. Memories of fading strength and immediacy. When I was attending her womenswear presentation in Paris last March, I didn't know it will be her last one. /HORST