While other collections (unuttered reference to Gareth Pugh's pale descendants of death) scare me, these soft silhouettes and geometric black & white prints just captured my heart. /HORST
Raw edged frills, unbleached toile cotton, printed crinkle effects. A design exercise that incorporates mock-ups and mishappenings as an undeniable and necessary part of the actual result. The word final does not exist. Instead, it recreates itself through garments that resemble unfinished sentences, accompanied by a light and apparitional question mark, dangerously wafting in the air. /HORST
Video stills from the first film by Collier Schorr for Tim Hamilton Spring/Summer 2010. Gym. Muscles. Sweat. Strong arms grasping a rope. Exhausted bodies, raw hands. /HORST
The image of Jil Sander has always been linked with the minimalist aspect. Purism and simplicity. Once regarding a whole decade, the aesthetics do not appear so radically restraint. Clothes that are subtly complicated from the inside. And intellectual from the outside. Personally, I think that it was Raf Simons who revived the brand's true essence and character of what everyone primarily perceived to symbolize Jil Sander. /HORST